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“With songwriting as powerful as hers, there’s no need to go looking for qualifiers. She’s a unique, intrinsically valuable musical voice. And there’s never a surplus of those.” — Randy Lewis, Los Angeles Time
Her eleventh album, the first record in over 8 years consisting of all her own songs, Dark Enough to See the Stars, follows the profound antidote to trauma, Rifles & Rosary Beads, her 2018 collaborative work with wounded Iraq war veterans. It garnered a Grammy nomination for Best Folk Album, as well as a nomination for Album of the Year by the Americana Music Association. Publication of her first book, the illuminating Saved by a Song: The Art and Healing Power of Songwriting, in 2021, brought her more praise. Brandi Carlile has said, “Mary’s songwriting speaks to the tender aspects of our humanness. We need her voice in times like these more than we ever have.” The Associated Press called Gauthier “one of the best songwriters of her generation.”
Mary’s songs have been recorded by dozens of artists, including Jimmy Buffett, Dolly Parton, Boy George, Blake Shelton, Tim McGraw, Bettye Lavette, Mike Farris, Kathy Mattea, Bobby Bare, Amy Helm and Candi Staton and have appeared extensively in Film and Television, most recently on HBO TV’s Yellowstone.
On the heels of acclaimed debut Red Rescue, Jaimee Harris doesn’t disappoint with The Congress House Sessions, an intimate EP with stripped-down arrangements of selected songs. Recorded at the Congress House Studio by Mark Hallman (Carole King, Ani DiFranco) and Andre Moran (Sarah Borges, Rickie Lee Jones) and featuring Jane Ellen Bryant and Kris Nelson on backing vocals, Ray Bonneville on harmonica, Brian Patterson on electric guitar, and Sammy Powell on piano, this is no large, speaker-rattling production. Longtime friends add color, but what you’ll hear is Harris and her guitar, delivering performances close to what the songs were when conceived alone with her guitar. Harris demonstrates that her talent and command of her craft is undeniable, accompanied, or not. Whether there’s a rhythm section thumping behind her, or whether she’s alone with her Gibson “Gillie” on an empty stage, all eyes and ears are locked on Jaimee Harris.
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