7pm doors – 8pm show
$45 adv. – $55 day of

Dar Williams’ lyrics contain bouquets of optimism, delivered on melodies alternating between beguiling lightness and understated gravity.

Williams strongly believes that all of us possess our own power and ability to achieve, and she rejects the exceptionalism that encourages us to “admire that yonder star,” while making us feel small and insignificant; unworthy of shining on our own but hoping to catch enough distant light to inspire some tiny accomplishment. Williams has always been very interested in how to control our future and this album has to do with the fact that at some point, you just can’t.

Like everyone else, Williams spent 2020 in that state of non-control. She and longtime producer Stewart Lerman tracked most of the album, her 12th studio recording, in November of 2019. In late February of 2020, she cut the title tune in Woodstock with bassist Gail Ann Dorsey and Larry Campbell, who produced the track and played guitars, pedal steel and twangy baritone guitar. When told they had to postpone a mid-March mixing date, Campbell said he wasn’t feeling well anyway. Turns out he’d contracted a serious case of COVID-19. That was a clear sign that at some point, you have to meet life where it meets you …the common thread throughout that these songs, the willingness to meet life as it arrives.

Dar Williams was always in the right place at the right time for the success she’s had over a 25+-year career. She rose out of the vibrant mid-90’s Boston scene, inspired by the eclectic influences of alt-rockers, Berklee jazz musicians, slam poets, and folk artists, like Patty Griffith, Melissa Ferrick, the Throwing Muses, Vance Gilbert, and Jonatha Brooke. After a year of touring non-stop with her first album, The Honesty Room, in 1994, she was invited by Joan Baez to tour in Europe and The United States.

“Good and bad things happen, and it’s not necessarily a reward or indictment. I’ve just got to meet it.” Williams observes. “Like, I’m bringing my whole life to this moment; it will surprise me, challenge me, show me where I was wrong, even make a fool out of me, but my job is to show up and not take adversity personally. Real happiness doesn’t have to feel like Snoopy dancing with Woodstock; it can just be knowing you have the resilience to meet whatever comes to you. I will call that a good life.”

Already being hailed as “the next Woody Guthrie,”DC resident Crys Matthews is among the brightest stars of the new generation of social justice music-makers. A powerful lyricist whose songs of compassionate dissent reflect her lived experience as what she lightheartedly calls “the poster-child for intersectionality,”Justin Hiltner of Bluegrass Situation called Matthews’s gift “a reminder of what beauty can occur when we bridge those divides.” She is made for these times and, with the release of her new, hope-fueled, love-filled social justice album Changemakers, Matthews hopes to take her place alongside some of her heroes in the world of social-justice music like Sweet Honey in the Rock and Holly Near. Of Matthews, ASCAP VP & Creative Director Eric Philbrook says, “By wrapping honest emotions around her socially conscious messages and dynamically delivering them with a warm heart and a strong voice, she lifts our spirits just when we need it most in these troubled times.

OLS Covid-19 Protocols:

We are very excited to be hosting live music shows again in our listening room. OLS is committed to providing a safe environment for all who work, listen, or perform live music in our venue. Because our venue is so small, we will require all staff, volunteers, performers, and patrons to show proof of full vaccination against COVID-19 when they attend OLS events AND to wear masks indoors unless they are actively drinking, eating, or performing.

Proof of vaccine must come directly from the health care provider that performed the vaccination and can be a photo or physical copy of the vaccination card or record with an accompanying photo ID. Full vaccination means that the date of the performance you are attending is:

*at least 14 days after your second dose of an FDA or WHO authorized two dose COVID-19 vaccine, or

*at least 14 days after your single dose of an FDA or WHO authorized single dose COVID vaccine.

We hope we can ease these restrictions once further progress has been made reducing transmission of the virus. Until then, we greatly appreciate your patience and cooperation. One Longfellow Square does not assume liability; the ticket holder will assume all risks involved. By purchasing a ticket to this event you agree to assume full liability for any risks incurred before, during and after the event and agree to the current Terms of Use.