BEGIN:VCALENDAR
METHOD:PUBLISH
VERSION:2.0
CALSCALE:GREGORIAN
PRODID:-//NONSGML Sandhills Development\, LLC//NONSGML Sugar Calendar Fe
 eds v3.4.0//EN
X-WR-CALNAME:Carbon Leaf – Show 2: 9pm
X-WR-CALDESC:Portland Downtown
X-WR-TIMEZONE:America/New_York
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
DTSTART:20221106T060000
TZNAME:EST
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
DTSTART:20221106T060000
TZNAME:EST
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
SUMMARY:Carbon Leaf – Show 2: 9pm
DESCRIPTION:ADVANCE PURCHASE: $35\nDAY-OF: $45\n10% MEMBER DISCOUNT\n\n
 It felt so good to get back on the road again in 2021. It was a huge r
 elief\, with safety on everyone’s minds\, to know that the efforts wer
 e paying off\,” says Carbon Leaf frontman Barry Privett.\n\n“The sys
 tems worked very well we were able to connect through live music once ag
 ain. When we got home in December\, we went right to work writing and re
 cording. We wanted this album to have a little bit more fun than our 202
 1 release\, Gathering 2: The Hunting Ground. This new album will be expa
 nding that neighborhood\, musing on space and time\, and the brief momen
 t we get to experience it as Earthlings\, if you will.”\n\nThe ongoing
  Gathering series the band has been working on over the last few years i
 s all about building community.\n\n“It’s a call to look inwards and 
 find what matters\, an invitation to reach out and embrace the gifts of 
 human connection.” Privett says.\n\nThat’s no mean feat given the de
 ep divisions that have defined much of the past few years of American li
 fe\, but Carbon Leaf has always punched above their weight\, defying the
  odds at every turn and redefining what’s possible for a modern indie 
 band in the process. The group’s extraordinary new mini-album\, Gather
 ing 2: The Hunting Ground\, is no exception. Recorded at the band’s ow
 n studio in Richmond\, VA\, the collection marks the second installment 
 of the group’s four-part Gathering series\, which finds the long-runni
 ng quintet stripping their sound back to its organic\, acoustic core as 
 they reckon with our ever-conflicting desires for unity and independence
 . The songs here are gutsy and probing\, grappling with grief\, loss\, a
 nger\, and pain\, and the arrangements are aggressive and insistent to m
 atch\, fueled by layers of relentlessly strummed guitars\, rolling banjo
 \, and lush fiddle. The result is a moving\, cathartic collection that
 s unafraid to confront darkness and doubt head on\, a poignant\, revela
 tory record all about the power of self-reflection and the ties that bin
 d.\n\n“One of the big questions we found ourselves grappling with as a
  band was\, ‘How do you actually make any kind of a difference in soci
 ety today?’” says Privett. “And I don’t think you can do that wi
 thout first looking inwards—to yourself\, your family\, your friends
 and figuring out what your values truly are.”\n\nAnyone who’s caugh
 t a Carbon Leaf show over the past three decades probably has a pretty g
 ood idea just what those values are: brotherhood\, commitment\, empathy\
 , integrity\, self-reliance. Founded at Randolph-Macon College in 1992\,
  the group evolved from a houseparty cover band into something far more 
 profound after graduation\, when they moved to Richmond and made the shi
 ft to original music. The band’s first three albums helped build a dev
 oted cult following\, but it was 2001’s Echo Echo that truly brought C
 arbon Leaf to national attention\, with lead single “The Boxer” earn
 ing the group a performance slot in front of millions of viewers at the 
 American Music Awards. After nearly ten years of self-releasing and grin
 ding it out on the road (both as headliners and as guests appearing on b
 ills alongside the likes of Dave Matthews Band\, O.A.R.\, Jason Mraz\, B
 lues Traveler\, and Guster\, among others)\, the band signed with Vangua
 rd Records in 2004 for their critical and commercial breakthrough\, Indi
 an Summer\, which yielded a Top 5 hit at AAA radio and garnered rave rev
 iews everywhere from The Washington Post to WXPN. While the band would g
 o on to release two more similarly well-received albums with Vanguard\, 
 it soon became obvious to everyone that independence wasn’t simply an 
 ideal for Carbon Leaf\, but rather an integral part of their DNA\, and s
 o in 2010\, the band parted ways with the label in order to return to th
 eir DIY roots and take complete and total control of their career. Actin
 g as their own label\, distributor\, and manager\, the band cut new vers
 ions of all three Vanguard albums in order to regain the rights to the r
 ecordings\, launched their own festival\, and began releasing a successf
 ul series of direct-to-fan concert films\, livestreams\, and studio reco
 rds leading up to the first installment of the Gathering series in 2018.
 \n\n“The initial idea for these Gathering albums was to get a bunch of
  our musical friends together in the studio for a weekend and make somet
 hing really communal and collaborative\,” explains Privett. “We had 
 some of our pals from We Banjo 3 join in on Volume 1\, but for the secon
 d installment we decided to strike out on our own because the songs just
  felt more personal and introspective.”\n\nThough Carbon Leaf had trad
 itionally embraced a wall of sound approach in the studio\, this time ar
 ound they went back to the basics\, focusing on raw\, acoustic arrangeme
 nts that placed the storytelling front and center. With guitarist Terry 
 Clark handling engineering duties\, the band—Privett\, Clark\, stringe
 d instrument wizard Carter Gravatt\, bassist Jon Markel\, and drummer Je
 sse Humphrey—captured performances on and off over the course of rough
 ly six months\, experimenting with a wide variety of instruments and mic
  placements to generate a series of immersive\, transportive sonic lands
 capes.\n\n“Space was a big thing for us when we were making these reco
 rdings\,” says Clark. “Moving the microphones further away so we cou
 ld really capture the room and the air helped add lot of the character a
 nd dimension these songs needed.”\n\nWhile some of the tracks here beg
 an life as instrumental demos from Gravatt\, others first took shape as 
 a capella lyrical or melodic ideas from Privett. Regardless of where eac
 h tune began\, though\, the finished product would inevitably wind up be
 aring the unmistakable fingerprints of all five bandmates\, whose infect
 ious chemistry consistently yields more than the sum of its parts.\n\n
 We like to take a world-building approach in the studio\,” says Prive
 tt. “We’ll stack things up and layer them on top of each other until
  we’ve got something that sounds way beyond just five guys in a room t
 ogether.”\n\nThat alchemy is obvious from the outset on The Hunting Gr
 ound\, which opens with the churning “Everything’s Alright Mama.” 
 Mixing gritty Appalachian folk with lilting Celtic influences\, the trac
 k begins with both feet on the ground and builds into a soaring work of 
 bittersweet beauty\, balancing the mundane and the magical in equal meas
 ure as it reaches out into the void for connection. Like much of the alb
 um\, it’s a bright\, uptempo tune\, but dig beneath the surface and yo
 u’ll find an underlying sense of sadness that permeates the often-impr
 essionistic lyrics. The driving “Her Father’s Pride\,” for instanc
 e\, grapples with division on both a personal and a communal scale\, whi
 le the rollicking “Smokey Joe Of The Poconos” explores what happens 
 to those left behind in the name of progress\, and the mesmerizing “Pa
 le Blue Dot” zooms out to contemplate our place and our purpose in the
  greater scheme of the universe. It’s perhaps the muscular title track
 \, though\, that best encapsulates the sense of questioning and longing 
 that defines the collection\, with Privett singing\, “Is this all we h
 ave\, the natural world? Is anyone around?”\n\n“The idea of the hunt
 ing ground is that it’s this place where you’re searching for someth
 ing out in the great wild unknown\,” says Privett. ”How do you proce
 ss grief? How do you fix your soul in the face of losing someone you car
 e about? How do you carry on when life doesn’t go the way you’d plan
 ned?”\n\nIn the end\, of course\, there are no easy answers to these q
 uestions\, and that’s precisely the point. The hunt is an endless one\
 , but it doesn’t need to be lonely. We’re all in the search together
 \, and after more than a year of distance and isolation\, it’s hard to
  think of anything we need more than a good old fashioned gathering.
URL;VALUE=URI:https://portlandmaine.com/events/carbon-leaf-show-2-9pm/
UID:urn:uuid:a31c0ecd-cfb6-4437-acc9-376b79b81719
STATUS:CONFIRMED
ORGANIZER:
DTSTAMP:20260502T155328Z
DTSTART;TZID=America/New_York:20221110T210000
DTEND;TZID=America/New_York:20221110T230000
LOCATION:181 State St.\, Portland\,  Maine  04101\,  US
END:VEVENT
END:VCALENDAR